Can I Be Baptized Again as O Commitment to God
Romeo and JulietPlease see the lesser of the page for explanatory notes.Please click here for fifty-fifty more notes and paraphrases.
Next: Romeo and Juliet, Human activity ii, Scene iii __________ Explanatory Notes for Act two, Scene 2 __________ Prologue ane. He jests ... wound, Mercutio, who never felt the wound of love, may well jest at the scars which Cupid'southward arrows have left in my heart. That this is not a general, just a particular, remark is, I think, proved by the answering rhyme, as Staunton has noticed. And as neither the folios nor the quartos make any division of scene, such sectionalisation, originally due to Rowe, seems clearly incorrect. ii. soft! he bids himself 'hush,' cautions himself to talk in a lower voice. four. envious, jealous. 7. Be not her maid, no longer serve her, no longer keep a vow to live unmarried; equally Diana'south votaries pledged themselves to do. 8. Her vestal ... green, the life of chastity to which she binds her priestess is one of sickly, jaundiced, hue. In ill and dark-green at that place is probably, as Delius suggests, an allusion to the "dark-green-sickness" of which Shakespeare often speaks, and which in iii. v. 157, beneath, Capulet applies as an epithet to Juliet in his anger at her refusal of Paris, "Out, you green-sickness carrion! out, you lot baggage! Y'all tallow-face," — an ailment of languishing girls characterized by a pale complexion. The reading of the outset quarto is pale for sick, and this is preferred by many editors. Collier would change sick into white, seeing in the line an allusion to the white and light-green livery formerly worn by the Court fools; but information technology seems unlikely that Shakespeare would use the word fools in this literal sense when referring to Juliet, while, as Grant White points out, if such an allusion were intended, it would be obtained from the reading of the start quarto, pale, without the violent change to white; vestal livery. Vesta was the Roman goddess of the hearth, respective with the Greek Hestia, and her priestesses were vowed to a life of chastity and celibacy; cp. Per. iii. 4. 10, "A vestal livery volition I accept me to, And never more accept joy." 12. what of that? but that matters little. thirteen. discourses, is eloquent in its mere look. sixteen. some business, some private affairs of their own which would be hindered by their having to perform their nightly duty of lighting up the sky. 17. in their spheres. According to the Ptolemaic organization of astronomy, round about the earth, which was the centre of the system, were nine hollow spheres, consisting of the 7 planets, the fixed stars or firmament, and the Primum Mobile; the spheres with the stars and planets in them being whirled round the earth in xx-four hours by the driving power, the Primum Mobile. 21. the airy region, the upper air; region, was originally a division of the sky marked out past the Roman augurs. In later times the atmosphere was divided into 3 regions, upper, middle, and lower. Cp. also Haml. ii. 2. 509. 24, v. O, that ... cheek, cp. Tennyson, The Miller's Daughter, 169-186. 28. winged messenger, angel. 29. white-upturned, turned up in adoration so that the pupils are scarcely seen. 30. fall back, stand back in awe, and also in order to become a clearer view. 31. lazy-pacing, slowly drifting. Grant White compares Macb. i. 7. 21-five; lazy-pacing is Pope's theorize for lasie pacing, of the start quarto; the remaining quartos and the folios give lazie, or lazy, puffing. 34. refuse, disown, disclaim; cp. T. C. iv. 5. 267, "We take had rain wars, since y'all refused The Grecians' crusade." 37. speak at this, respond her without allowing her to get further, interrupt her at this point. 39. Thou art ... Montague. Staunton explains "That is, as she later expresses information technology, y'all would all the same retain all the perfections which ardorn you, were non called Montague"; and so substantially Grant White, though Dyce calls such an caption "unintelligible." Others follow Malone in putting the comma later on though, as used in the sense of however, with the caption that Juliet is simply endeavouring to account for Romeo'south beingness affable and excellent though he is a Montague, to testify which she asserts that he but bears the name, merely has none of the qualities of that house. Various emendations have also been proposed, but Staunton's explanation seems to me quite satisfactory. 42. exist some other proper noun, be somebody else in name than Montague. Lettsom objects that Shakespeare could non accept written "be some other name"; simply after the expression "What'due south Montague?", where "Montague" is used as though it were a thing, there seems no reason why we should not have "be another name." 46. owes, owns; as ofttimes in Elizabethan literature, the last n of the Yard. Due east. owen, to pcssess, being dropped. The modernistic sense of the give-and-take 'to be in debt,' 'to be obliged,' comes from the sense of possessing another's belongings, simply the give-and-take has no etymological connection with to 'own' = to possess; it being from the A.S. agan, to have, while the latter is from the A.S. agnian, to appropriate, claim as one's own, from agn, contracted form of agen, ane's ain (Skeat, Ety. Dict.). 47. doff, put off; practice off, equally don, exercise on; dup, do up; dout, do out. 48. for thy name, in exchange for your name. 53. So stumblest on my counsel, come up so unexpectedly upon my secret thouglits; cp. 1000. N. D. i. 1. 216, "Emptying our bosoms of their counsel sweetness," i.e. confiding to each other our inmost thoughts. 53, iv. By a proper noun... am, if I could let you lot know who I am without using a name, I would gladly practise so, for it is impossible for me to name myself without distressing you. 55. saint. Delius points out that this give-and-take recalls their get-go meeting when, as a pilgrim, Romeo had thus greeted Juliet. 58. drunk, unconsciously acknowledging the avidity with which she had listened to his words. 61. if either thee dislike, if either exist unpleasant to your ears; dislike is really impersonal, every bit in Oth. 2. 3. 49, "I'll do't; only it mislike's me." 64. And the place expiry, and to venture hither is to run a risk your life. 66. o'er-perch these walls, fly over these walls and settle here, as a bird settles upon a branch after a flight from some other spot; a perch is literally a rod, bar, then a bough or twig on which a bird settles. 67. stony limits, limits formed of stone, i.e. walls; stony, more unremarkably used as = of the nature of. 69. are no let to me, are no hindrance to me, cannot bar my way and keep me out. 71. Alack, according to Skeat, either a corruption of 'ah! lord,' or, which seems more probable, from ah! and M. E. lak, loss, failure. 73. proof confronting, able to endure, hold out confronting; see note on i. one. 216. 76. only thou dear me ... here, except, unless, you love me, I am quite willing that they should find me here and impale me; without your beloved, life to me is not worth living. 78. Than death ... honey, than that my death should exist delayed if I am to be without your love; prorogued, the Lat. prorogare was to advise a further extension of office, lience to defer, though literally meaning merely to ask publicly, from pro-, publicly, and rogare, to ask. 81. counsel, advice. 83. vast shore. "Lat. vastus, empty, waste" (Walker). 84. I would adventure for, I would make my voyage in quest of, however great the danger. 88. Fain ... grade, gladly would I, if it were possible, stand on ceremony with y'all, care for you with distant formality; Fain, properly an describing word. 89. simply farewell compliment, "but away with formality and punctilio" (Staunton); I now bandage such things to the winds. 93. laughs, proficient-humouredly disdains to punish them. Douce compares Marlowe's translation of Ovid'southward Fine art of Love, i. 633, "For Jove himself sits in the azure skies, And laughs below at lover'due south perjuries," from which he thinks that Shakespeare borrowed. 94. pronounce it faithfully, assure me of your love without calculation an oath to confirm your words. 97. So, provided that. 98. fond, foolishly loving; fond, originally fonned, the by participle of the verb fonnen, to act foolishly, from the substantive fon, a fool. 99. calorie-free, full of levity, wanton. 101. more than cunning ... foreign, more skill in affecting coyness. 104. passion, passionate confession; the discussion was formerly used of any potent emotion. 106. Which the night ... discovered, which (love) has been revealed to you by the darkness of the night whose office should be to muffle; which you have discovered thanks to the darkness of the night. 110. circled, revolving; not, I think, 'round,' as Schmidt explains. 111. also, equally. 113. gracious, attractive, finding favour in my eyes; cp. T. A. i. 1. 429, "if always Tamora Were gracious in those princely eyes of thine." This is the reading of the first quarto, the other old copies giving glorious, which Grant White thinks more suitable to the context. 114.of my idolatry, that I worship. 117. I have ... to-night, I experience no joy in now ratifying with oaths a contract between us. Like Romeo, i. 4. 106-11, she has a presentiment of some evil befalling their plighted love. 118. unadvised, imprudent, formed without sufficient consideration. 121, 2. This bud of dearest ... meet, this new love of ours, cherished in our hearts, may aggrandize into full growth past the time we side by side meet, as beneath the summer'southward warmth the bud expands into a beauteous flower. every bit that ... chest, "equally to that heart inside my breast" (Delius). 126. satisfaction, Delius points out the double sense hither of payment and comfort. 129. And yet ... again, and yet I wish I had non given information technology, in society that I might now again have the joy of giving it. 131. frank, liberal, free of hand; cp. Lear, iii. iv. twenty, "Your onetime kind father, whose frank center gave all." 132. the thing I have. sc. her own space love. 143. If that ... honourable, if your love is honourable in its intentions; for that, equally a conjunctional affix, see Abb. § 287. 145. procure to come up, accommodate to take sent. 146. the rite, sc. of marriage. 152. By and by, in a minute, directly. 153. accommodate. Malone quotes from Brooke's poem, Romeus and Juliet, "and now your Juliet you beseekes To cease your sute, and endure her to live emong her likes." 154. And then thrive my soul — may my soul prosper (according as I mean well to you), the concluding words existence broken off past Juliet's farewell. 156. A m ... light, in answer to Juliet's wish of good-night he says, nay, not good night only bad night, dark fabricated a thousand times the worse by the absenteeism of yous who are its simply light. 158. toward ... looks, sc. as schoolboys go toward, etc. 159. Hist! Listen! 159, threescore. O, for ... again! would that I had a voice that would bring back my gentle Romeo as surely as the falconer's vox brings ack the tassel-gentle! "The tassel or tiercel (for so it should be spelled) is the male of the gosshawk; so called considering it is a tierce or third less than the female...This species of hawk had the epithet gentle annexed to it, from the ease with which it was tamed, and its attachment to man" (Steevens). "It appears," adds Malone, "that certain hawks were considered as appropriated to certain ranks. The tercel-gentle was appropriated to the prince, and thence was chosen past Juliet as an appellation for her dearest Romeo." 161. Bondage ... aloud, one fettered, constrained by fear of being overheard, like me, is as much unable to call aloud equally one whose voice is stopped past hoarseness of the throat. 162. Else ... lies, otherwise by my loud cries I would rend the cave in which Echo dwells; Repeat, an Oread who past Juno was changed into a being neither able to speak until somebody had spoken, nor to be silent when anybody had spoken. 163. And make ... mine, and, by compelling her to repeat my cries, make her hoarser than myself even. Dyce compares Comus, 208, "And airy tongues that syllable men's names On sands and shores and desert wildernesses." 166. silver-sweet, in innuendo to the sweet tone of bells made of silver. 167. attending, circumspect. 173. to have ... there, in social club to keep you lot standing at that place. 175. to have ... forget, then that you may continue to forget. 176. Forgetting ... this, forgetting that I have any home but this, forgetting that this is non actually my home. 178. a wanton's bird, the pet bird of a mischievous girl, a girl that loves to tease her pets. 180. gyves, bondage, fetters. 182. So loving-jealous ... liberty, and then fond of it and still so jealous of its getting its liberty. 186. shall say good nighttime, shall go on maxim 'skillful dark.' 188. so sweet to rest, having and so sweet a resting place. 189. ghostly father, spiritual father; father, a title given to catholic priests. 190. my dear hap, the good fortune that has befallen me; hap, fortune, chance, blow, from which we go to 'happen' and 'happy.' How to cite the explanatory notes: ______ Fifty-fifty more... | Notes on Romeo and Juliet Juliet appears in a higher place at a window (stage direction). Shakespeare did non include this stage direction and it is non in Q1 or the Kickoff Folio. It was added in the 17th century and has remained ever since, although some editors choose to place the direction right afterward Romeo's line "He jests at scars that never felt a wound" (1), while others insert it right before Romeo says "It is my lady, O it is my beloved" (x). More than to Explore Romeo and Juliet: Consummate Play with Explanatory Notes Themes and Motifs in Romeo and Juliet Stage History of Romeo and Juliet Romeo and Juliet: Examination Questions and Answers sick and greenish ] The phrase ill and greenish refers to the anaemic condition known every bit chlorosis, or green sickness. The goddess Diana (the moon personified) is sickly pale and envious of Juliet'south beauty (half-dozen). Juliet, too, equally a follower of Diana (i.east,. a virgin) is looking quite sickly pale herself. As Helen King argues in her volume The disease of virgins: greenish sickness, chlorosis and the problems of puberty, "...for an early on modernistic reader, the disease label 'green sickness' - like 'the disease of virgins' - could contain within itself the cure: sexual experience" (35). Read on... Notes on Shakespeare... Richard Shakespeare, Shakespeare's paternal grandfather, was a farmer in the small-scale village of Snitterfield, located four miles from Stratford. Records testify that Richard worked on several different farms which he leased from diverse landowners. Coincidentally, Richard leased country from Robert Arden, Shakespeare's maternal grandfather. Read on... Shakespeare acquired substantial wealth cheers to his acting and writing abilities, and his shares in London theatres. The going rate was £10 per play at the turn of the sixteenth century. So how much coin did Shakespeare make? Read on... Henry Bolingbroke, the eldest son of John of Gaunt and the grandson of King Edward III, was born on April 3, 1367. Henry usurped the throne from the ineffectual King Richard II in 1399, and thus became King Henry IV, the first of the three kings of the House of Lancaster. Read on... Known to the Elizabethans every bit ague, Malaria was a mutual malady spread by the mosquitoes in the marshy Thames. The swampy theatre district of Southwark was always at run a risk. Rex James I had it; so likewise did Shakespeare's friend, Michael Drayton. Read on... Shakespeare was familiar with 7 foreign languages and often quoted them directly in his plays. His vocabulary was the largest of any writer, at over twenty-four thousand words. Read on... | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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